Drawing Dialogues: Sir Jony Ive, Charlie Mackesy and Tim Marlow

Event details

Date & time

24 September 2025, 4:30PM

Location

Online

Price

Free, booking required

Drawing is a way of seeing, thinking and understanding - a creative process that fuels disciplines as diverse as art, product design, architecture, illustration and film. It’s one of the fastest, most intuitive ways to capture ideas and drive innovation. This event celebrates the role of drawing as a foundation for creativity across industries and practice.

Renowned designer Sir Jony Ive KBE (former Chief Design Officer at Apple and now Chancellor of the Royal College of Art), illustrator Charlie Mackesy OBE (author and director of the award-winning The Boy, the Mole, the Fox and the Horse), and Tim Marlow OBE, Director of the Design Museum, come together to discuss how drawing informs their work across design, illustration and film.

This event, part of the Royal Drawing School’s 25th anniversary series, is presented in collaboration with the Design Museum, who are delighted to support this celebration of how drawing shapes creative practice across disciplines.

Speakers:

Sir Jony Ive KBE

Sir Jony Ive KBE is a designer. He joined Apple in 1992. As Chief Design Officer, Jony was responsible for all hardware, user interface and packaging design, as well as the major architectural projects Apple Park and Apple retail stores. He led the design team for more than two decades, creating the iMac, PowerBook, MacBook, iBook, iPod, iPhone, iPad, Apple Watch, AirPods and HomePod. Co-founder Steve Jobs referred to Jony as his “creative partner”. He holds more than 14,300 patents worldwide, uniquely spanning both software and hardware design. Jony holds honorary doctorates from distinguished universities including Cambridge, Oxford and the Royal College of Art, where he currently serves as Chancellor. In 2019, Jony gathered the creative collective LoveFrom and, in 2024 co-founded io, an engineering and product development company committed to creating AI-enabled products, in close collaboration with both LoveFrom and OpenAI.

Charlie Mackesy OBE

Charlie Mackesy OBE British artist, illustrator, and author, began his career as a cartoonist for The Spectator, before becoming a book illustrator for Oxford University Press. His work has featured in books, private collections, galleries and public spaces around the world. His award winning book, ‘The Boy, the Mole, the Fox and the Horse’, was published in October 2019 and has been translated into over 50 languages and dialects. Mackesy also wrote and directed an animated short film based on the book, which went on to win both a BAFTA and an Oscar.

Tim Marlow OBE

Tim Marlow is CEO and Director of the Design Museum in London. Over the past five years, he has transformed the landmark building into a hub for contemporary design with a wide-ranging programme that has received critical acclaim. Formerly Artistic Director of the Royal Academy of Arts and Director of Exhibitions at White Cube, Marlow has been involved with the contemporary art and design world for the past thirty years as curator, writer and broadcaster. He has written and presented over 100 arts documentaries for British television and presented radio programmes across the BBC since 1990 and lectured on art, design and culture in universities and museums in more than 40 counties. In 2020, Tim Marlow was awarded an OBE for services to arts and culture.

 


The Royal Drawing School's 25th anniversary exhibition and events are generously supported by Ralph Lauren, a valued partner of the School for over six years, helping to make high-quality drawing tuition accessible to all.

As a young boy, learning to draw taught me to see. It gave me the happiest pause to be quiet and truly engage with the physical world. Now my drawings tend to be in service of designing and creating. They are immediate expressions of a thought. They are notes to myself giving body to an idea.

Jony Ive_Observational drawing of Pyrex measuring jug-1

Observational drawing ofPyrex measuring jug, 1981 (Aged 14). Pencil on paper, 43 x 23.8cm.

Jony Ive

One of the best things for me about drawing is how it feels during the making of it—which is often better than the experience of finishing it.
          I would say that the healing nature of mark making probably saved my life.
          The experience of it—the sensation of my entire being focused on the movement, the making of lines, marks and shades from the hip—keeping one step ahead of the harsh editor within me—is incredible. It’s like a drug of sorts—a world of endless possibility.

Charlie Mackesy_Untitled

A bad drawing for the Royal Drawing School, 2025. Ink on paper, 23 x 23cm. Photo: Richard Ivey

Charlie Mackesy