Drawing Dialogues: Ben Bowling & Claudia Tobin on Frank Bowling
Event details
Date
1 July 2026
Time
7:00PM
Location
Online
Price
£6
In this live online event, Ben Bowling will be joined by curator Claudia Tobin for a conversation exploring Frank Bowling’s drawing practice
Together, they will offer insight into the development of his work, reflecting on drawing as a fundamental and continuous part of his artistic process.
This conversation will be live-streamed on YouTube. If you have any questions about the event, please contact digitalstudio@royaldrawingschool.org.
Main image: Frank Bowling working on Execution of Mary Queen of Scots taken by Tony Evans, 1963. Photo: Tony Evans © Estate of Tony Evans. Courtesy Frank Bowling Archive
Ben Bowling
Ben Bowling is the son of the artist Sir Frank Bowling and, with his brother Sacha, co-directs his father’s studio, and is trustee of the Frank Bowling Foundation. Ben works with galleries, museums and art historians to safeguard his father’s artistic legacy and to enable him to make the critically acclaimed work that is at the heart of his painting practice. Ben is also Emeritus Professor of Criminology and Criminal Justice at King's College London and former adviser to the UK Parliament, European Commission, Interpol and the United Nations. His books include 'Violent Racism, Policing the Caribbean' and 'The Politics of the Police'. In his spare time he sings with his band Doc Bowling and his Blues Professors.
Claudia Tobin
Dr Claudia Tobin is a writer, academic and curator. She is the author of 'Modernism and Still Life: Artists, Writers, Dancers' (2020), editor of 'Oh, to be a Painter!' (2021), and co-editor of ;Ways of Drawing: Artists’ Perspectives and Practices; (2019). Claudia has worked on numerous exhibition and research projects, including with Tate, the National Portrait Gallery and the Fitzwilliam Museum, and on creative collaborations with contemporary artists, musicians and dancers. In 2024 she curated the exhibition 'Gardening Bohemia: Bloomsbury Women Outdoors' at the Garden Museum in London. She is currently writing a book about women artists and writers in the Bloomsbury circle and the creative life of their gardens (forthcoming with Yale).
Claudia teaches modern and contemporary literature and visual cultures and is a Bye-Fellow at Downing College, University of Cambridge, and a Senior Research Associate at the Intellectual Forum, Jesus College. She has been awarded prestigious fellowships including an Early Leverhulme Career Fellowship at Cambridge, a Paul Mellon Post Doctoral Fellowship, and international fellowships at I Tatti Harvard Centre for Renaissance Studies in Florence and at the Huntington Library, California.
I’d been sitting for so many people; I got the urge to do it myself. I felt competitive too with those artists who drew all the time when I wasn’t doing drawing. At the Royal College, the whole training was about life drawing, drawing for life. It came out of that, it came out of me working out for myself how, not having been trained, how to draw, how I could teach myself to draw. Today, I still have the inclination or the remnants of that way of proceeding. I still tend to draw my pictures with the materials themselves. I want the drawn lines to operate separately and by themselves, but they must fit into what they’re in: the flat, plain colour.”
Frank Bowling OBE RA
NORBERT LYNTON
Frank Bowling