Teaching resource Windows

This resource explores windows as an effective compositional tool creating both separation and comfort.
Find more drawing exercises
Treherne_Agnes_12
Key Stage

Designed for students aged 14–18 (UK Key Stages 4–5 / Years 10–13), but adaptable for other ages.

Learning objectives
  • Create drawings that fuse imagination and observation by using the window as a tool to distinguish between worlds – the imagined/remembered and the observed.
  • Use your materials to distinguish between inside and outside.
  • Bring elements of imagination and memory into your drawing through the window.
Learning outcomes
  • Two fast-paced studies exploring positive and negative space, drawing from objects in our surroundings.
  • An abstract collage composition, using organic and geometric shapes.
  • A figurative collage composition, using mixed media (layering shapes and mark making).
You will need
  • Pencils
  • Pastels
  • Charcoal
  • Paper of different sizes
Lonsdale_Ellie_16
Ellie Lonsdale Window Watching
Dorig-Maj_Lisa_18
Maj Lisa Dorig Woman without a dog

Exercise 1

Think about the tonal contrast inside and outside, and what this can do to create a distinction between the two types of space. For your first drawing, make the tonal contrast inside much stronger, and outside much softer.

Exercise 2

Draw a window nearby but include a figure looking out. It could be that you are imagining yourself. Think about layers, and changes in scale. You might have a large person outside and a small person inside to subvert convention. The figures really help create a sense of depth. You might have a figure transgressing the boundary between inside and outside.

Exercise 3

Working in pastel or charcoal, I would like you to start sketching out your view, looking out the window and looking in all different directions if you can – up, down, side to side. This kind of non-traditional approach to space allows imagination to begin to slip in.

Use a big piece of paper in landscape format, so that you can expand outward if you need to. 

After five minutes begin to imagine that something is different. It could be that it is night-time when it’s daytime, it could be that it is sunny when it’s cold, it could be that your colours are much brighter than what you see.

How might you use your materials to give a sense of the imagined atmosphere you are creating?